A Study of Ash & Smoke
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It’s already September, I know. I’ve had a lot on my mind lately. 🙂 I certainly didn’t think I’d be doing this with all the insanity going on in my life right now, but I’m happy to report that I’ve been writing something amid the chaos!
My good friend Tallulah and I just finished a short fic for Cullen Appreciation Week. It was my first fan fic and also my first collaboration, so I learned a lot from this exercise. I’ll definitely write some more fan fic soon. 🙂
I’m by no means an expert on the topic, just a noob who’s learned a thing or two from writers much more experienced than I, willing to share their knowledge. These are three little things any writer could use to hone their craft – some so obvious, it’s blinding. Who felt like an idiot after reading her editor’s notes? I did.
This is why I follow senpai’s advice to the letter, and probably why she reckons I’ve levelled up in the writing hierarchy.
Let’s talk about deep point of view (POV). If you’ve never heard this term, you’re in good company. Until my first draft of The Physician’s Apprentice was being edited, I’d never heard it either.
You were supposed to see this post at the end of July, I know. Apologies. I’m more scatterbrained than usual lately and I forgot. But better late than never, right?
The writing has been going exceptionally well. After The Great Word Draught of 2017, I never imagined I’d be writing so much, especially now that The Physician’s Apprentice has been completed (again).
Another weekend, another fair.
Let me tell you something about this one, though – it was huge. Everything is bigger and better in Düsseldorf, right? I almost felt bad for the Saarner Kirmes we’d visited the weekend before.
On a cloudy Sunday, we headed to the city to see the fair. Loud music, delicious food scents, bright colours and the screams of thrill-seekers – this is what the fair was all about.
It’s been ages since I updated you on any of my obsessions. Today, I’m going to fix that.
As many of you know, I’m currently revising The Physician’s Apprentice. My editor‘s advice was to flesh out some scenes, so I’m adding words. This means a particular kind of madness has come over me. You know how I get. 😛 At this point in time, it looks pretty much like this.
First of all, I’d like to thank everyone for their condolences and beautiful words concerning my grandmother. If you missed it, my gran passed away last week. It wasn’t a surprise, because she was sick for a long time before she passed. It still hurts though. I wrote a tribute to my grandma here.
Since this is a current chaos post, I want to start you off with the song I’m listening to on repeat at the moment. It’s called ‘Build me up from bones’ by Sarah Jarosz. It’s amazing.
If you’ve been following the blog and had a look at my social media (check it out in the sidebar), you’ll know that my editor, Nerine, suggested I flesh out the world where my new series will take place. This added work is my own fault, sure. I finished The Physician’s Apprentice’s first draft in seven weeks, after all. If I had done all this stuff I’m doing now to begin with, it would have meant a lot less double work. Lesson learnt.
So, for close to two months now, I’ve been focussed on adding details and working out those things that don’t make sense in my world. Paired with my tendency to obsess, it’s been interesting.
So, it’s finally happened. I got the notes back from my editor a while ago and since then, only writing has been on my mind.
Let me first fill you in. I went through a bit of a bad patch last year with an editor. Not because of bad critique, but because of the complete lack of critique (there were only a handful of corrections throughout the entire novel). I don’t want to make a bad situation worse by muddying someone’s name. But I will say that when you pay someone for a service and they don’t provide that service at all, anyone would be angry.
Taking the step to hire an editor is a big one. Anyone in a creative field – or any field where your work will be dissected and scrutinized – will know how difficult it is to trust someone with your creative baby. Editors are there to tell you where you screwed up, whether it concerns grammar to characters acting crazy. It’s their flipping job to pull your work apart and tell you where you can improve it. THAT is what you pay them for.
I’m obsessive. Very, very obsessive. It’s just the way I’m wired. If you’ve read this blog for a while, you’ll probably recall other instances where I’ve admitted to this flaw in my personality. Maybe it isn’t always a flaw, but still.
Just the other day, I told you that my new novel is done. I wrote the whole thing in seven weeks, and that includes a complete revamp of the plotline and a mini write-over when I’d gotten to chapter 17 (which is just short of halfway through). Even if you add the actual planning stage of the novel, it puts me at just over three months. Sure, the idea for the novel came to me even while I was writing The Queen’s Fury, but I only started my research and plotline drafting in February.
You would think that the sight of a keyboard would send shivers of repulsion down my spine at the moment, wouldn’t you? I mean, honestly.