With more places around the globe entering states of lockdown,… Read More »7 Easy Tutorials to try During Isolation/Lockdown
Who could think that twelve half-pans of paint could be… Read More »Review – Winsor & Newton Cotman Pocket Watercolour Set
Huge excitement hit my house yesterday when my brand new Moleskine watercolour journal arrived. And, of course, like an energised kid, I had to try it out immediately.
I drew inspiration from the colouring and falling leaves here in the north – something I’ve always wanted to try painting. At the same time, I wanted to do a tutorial for you. You won’t believe how easy it is to get this effect!
So let’s get to it.
This isn’t a tutorial as much as a photo-diary of the steps I followed to create this painting. It’s really very simple, so I’m tagging it as beginner.
Honestly, the most difficult part is getting the violin symmetrical! If that’s something you struggle with, you can always try to find a stencil or print out a violin to trace (though I don’t know how well you’ll be able to trace through watercolour paper). If you’re not feeling the violin, I bet this kind of thing will also work well with flowers, skylines or whatever else blows back your hair.
Since my feather banner is so popular, I figured I’d show you how I made it.
This tutorial is super simple, anybody can paint feathers! What makes it even better is how fast this process is. I painted these in less than half an hour, they dried for about an hour, and the outlines took about another half an hour to draw.
The paint does all the work. Well, not all the work, but takes care of the pretty-making on your behalf.
Yay, a tutorial, inspired by my friend Tallulah. 🙂
Before we get started though, a disclaimer. This is how I use these things. Some other, more experienced artist will probably tell you not to do what I do, and that’s OK. Like everything in life, we all need to find our own personal hacks to make what we do look like magic.
If you’ve experimented and found simpler ways to do things, please drop me a line! I’d love to learn too.
It’s a normal Tuesday and you’re scrolling Facebook. Everything has been going great today and you feel chipper. You’re happy for your cousin who’s pregnant again, you like the pic of that high school friend’s new puppy and you laugh at the ridiculous Star Wars meme.
The following post though, it ruins your day.
My apologies for ending another week with a doll repaint, but I’m so excited about her I can’t contain myself. This, by the way, is what it looks like when a writer doesn’t write.
I shared a preview of Kjersti with you last week, but I’ve since finished her. She’s got brand new hair and the outfit is entirely hand-made, except for her shoes, which I customised. I have no idea how many hours went into her face-up and outfit, but I will tell you the total is much more than I’ve spent on any doll. She was supposed to be a quick project, with a tribal outfit.
Instead, she became a steampunk rocketeer.
This hobby found me in the weirdest way.
I’ve never learned to paint with watercolours. For a control freak like me, watercolour is a difficult medium – it’s got a mind of its own. I’ve always preferred pencils, oil and acrylics, because I can decide exactly where each brushstroke will go on the canvas. And by extension, where it will stay. 🙂
Watercolour is more fluid and less easy to control. Still, I wanted to learn, so I went to YouTube, the Knower of All. (And the Keeper of Tutorials.)
A lot of my art-loving friends have asked me how I find these pencils and, since you want to read about art related stuff, I figured I’d do a review.
I got these puppies last Christmas and have been using them at least twice a week since. Without spoiling the review, I love them. I’ve had other brands of watercolour pencils before, including the budget range from Farber Castell, but these are my favourite by far.
The other day, I asked you what you want to see on the blog. The answer was pretty strong in the art-direction. (By the way, if you have more suggestions for the blog, don’t be afraid to share them. 🙂 )
I thought I’d kick this off by sharing some of the artists that inspire me. I might do a separate post of this nature for those folks I follow on Instagram (be a dear and follow me too) since so many of them don’t have YouTube channels. That I know of, anyway. 🙂
A while ago, a friend suggested that I write something on this topic. Yea, I’ve been trying. Do I have a nice, glowy outcome planned for this post? No. Not at all. #idontknowwhatimdoing
All I know is that this is something I struggle with immensely, especially when I’m obsessing. As in now.
Being in the moment is difficult enough in our day-to-day lives. I mean, we’re bombarded with things to consume from all angles. We can access anything from our phones, which means from anywhere we have wifi reception. So checking Twitter while at a coffee date with a friend is totally doable, and also kind of the norm.
Because February wasn’t hectic enough to start with, you know. That’s why I figured I’d do this thing. Like with Inktober, the idea was to make art every day of February, sticking to the fandoms you love.
In the end, I failed to draw every day, but at least I had fun making those artworks that I did.
I’ve been watching Tessa Violet for around two years now and she’s become one of my favourite YouTubers. Why? Well, she’s what I’m not. 🙂 She shares, openly, all of her thoughts and fears, and even rethinks some of her older video topics. If she’s evolved, she’ll explain how she’s learned to accept parts of herself that she previously denied or disliked.
I find that both brave and admirable. Sharing so much of yourself on the internet is (IMO) a scary choice, but it’s also a great way to document growth. And that’s what I’m attempting.
To continue Monday’s tone, I’d like to share some of my thoughts on handling creativity while dealing with angst, in a kind of late reply to a video of Tessa’s. Hers is specifically about creativity and depression, but I find many of the core ideas are totally relatable even when measured against mental issues other than depression.
In a way, this is a continuation of my train of thought from the stigma post. Maybe you want to click there before you continue. 🙂
For the most part, this post focusses on someone who suffers in silence, but the general message can be applied to anyone who is hurting – even when they freely talk about it. With that said, let’s get to it.
I haven’t blogged about an artist who inspires me in way too long. Considering Wednesday’s post was such a serious topic, I figured I’d share some beautiful art with you today.
I discovered CaptainNutmeg‘s art when one of his/her artworks were featured on DeviantArt’s daily deviations. I totally fell in love with the style, especially since I’ve been easing back into traditional art after my tablet powered down for the last time. *tears*
These artworks make me feel something. I adore the desaturated colours and flowing lines, paired with the uncluttered backgrounds. I hope you’ll like it too. 🙂
I guess I should make it clear from the get-go that this is going to focus on mental issues, though you could probably use the message for any other kind of stigma too. I don’t know yet, I’ve just begun to write this post. 😛
This is a topic close to my heart. It’s one I’ve failed to voice too frequently. In fact, I failed yesterday when an opportunity presented itself.
A big promoter of stigma is false information – a thing we spread or allow to keep spreading too easily. So. This is my chance to redeem myself and add some facts to my ramblings. Please click the links, learn something, and hopefully, understand certain illnesses better.
So this year, I took part in the Inktober initiative for the first time. If you’ve never heard of Inktober, like…? Your rock must be on Saturn or something. 😛
Basically, you draw something every day in October. As the name of the initiative suggests, you’re invited to make your art using ink. Obviously, this is more of a guideline than a rule. I also know other people who only took part once a week, or every second day – the idea is just to keep a constant flow of art going.